Posts Tagged ‘truth is one’

Hari Om Bhaktis!

This past weekend was our first Kirtan in Charlottesville of the year, at a brand new (to us) venue called Bay 1 Studios. The evening and venue worked out so well that we’re going to have another in March, on Saturday the 26th.

Here’s a “Web” Quality flyer to share on your personal social networking pages and websites:

A “Print” Quality flyer appropriate for flyers can be found here.

Also- this Saturday, March 5th, Yogaville will observe the annual celebration of Mahashivaratri. There will be puja, stories, offerings, and of course lots of kirtan! We’re on the schedule for 11pm and 1am. If you’re in the area, this celebration is not to be missed!

Om shanthi,

Greetings everyone!

I hope that this message finds you well! The holidays were kind to me, and I hope they were for you as well. I was able to spend a significant amount of the time unoccupied and relaxing, which is not something that I do very often. I think that, regardless of our personal practices and beliefs, any time that draws together friends and family in the name of good and cheerful tidings is a good one, and that’s certainly what happened to me.

It also is a time of reflection. 2010 was a great year for me, musically and personally. The high point, obviously, was going on tour over the summer, where I was welcomed into studios and homes with open arms, and was given the fantastic opportunity to meet and sing with bhaktis all over the east coast. I certainly intend to visit the north east again this year, and hopefully this year work my way south (and west!) as well.

Right at the end of last year, I officially started working on the follow up to Waves. Waves was an album that I never really intended to make. The idea at the time was to just write tracks and upload them to MySpace (remember MySpace?) as they were written. Before I knew it I had 6 songs, two of which broke the 10 minute mark. I can’t remember if someone suggested that I make a record or if the decisions just came naturally on it’s own… but the rest, as they say, is history, and the record was made.

This time around it’s going to be remarkably different. When I was writing and recording those songs, I had never sang Kirtan live before. I didn’t even own a harmonium until a few months before the record was finished; a student model that can be heard on the album version of “Govinda Jaya” that literally fell apart a few days after the recording was completed. Since then (and with the purchase of a much more sturdy model), I’ve made the harmonium one of my primary instruments. Needless to say, it’s going to be featured much more prominently on the next album.

The other big difference is that Waves was performed entirely by me. I had discussed collaboration with a few different people, but scheduling conflicts made the actual process difficult, and in the end it just “felt right” for me to do everything. I think it gave the record a very personal, intimate feeling- one that I am very proud of to this day. I believe that’s why so many people, especially people who were not kirtan or yoga enthusiasts responded so positively to the album. I can’t count the number of times I heard “it really sounds like the record you’ve always wanted to make,” or “you’ve really found yourself.”

So, going into the making of this as-yet-untitled album, I have a very good idea of what songs I’m going to record, and a decent grasp of how I want them to sound. I also intend to record actual call-and-response this time, with a group of people. The logistics of how to do that have not been finalized, but I’m looking forward to it. I also intend to tap the resources of all the basement bhaktis I’ve played with since the release of Waves. I’m particularly excited about getting Tom Lynch to play some accordian and piano, and also Matt Hunsinger, a tabla player I’ve recently connected with.

2011 is also going to mark a shift in the name I use. In May of 2010, I was given the name Jayadeva at a ceremony in Yogaville. I intend to begin using it, gradually shifting from “Jdavyd Williams” to “Jdavyd Jayadeva Williams” and finally to just “Jayadeva.” It’s going to be a slow process, and involves some technical things such as updating the artwork for Waves, both on digital and physical copies. You can expect to see some adjustments on this website as well.

The first kirtan for the new year is going to be on Saturday, January 29th, at my “home away from home,” Shanti Om Yoga in Staunton VA. The event will begin at 7pm.

I’ll close this update with an expression of gratitude. Thank you for making 2010 such a fabulous year. I can’t wait to share 2011 with you as well.

I don’t blog here as often as I probably could. I try to keep the posts here focused on kirtan, and the experiences that I have in the practice of chanting. Sometimes that means there’s a lull… these are to be expected, and I’d hate to pop in once a day just to say “working on the album” or “preparing for the next gig!” I’d hate for it to become stagnant.

That said, I’ve had a few experience recently that motivated me to sit down and write. The first came a couple of weeks ago, when I received a cold contact from a person in New York City asking if I’d be interested in leading chants for 3 hours on September 11th. Initially I jumped at the opportunity; September 11th is an infamous day that effected everyone around the US, and the rest of world as well, in ways we are still coming to terms with (see the debate about the Park51 center if you aren’t sure what I’m talking about). Who wouldn’t want to spend an afternoon chanting the holy names in a place still so scarred by events of the past? What better way to promote interfaith understanding, and healing, but to chant together in the name of peace?

The thing that threw me was that the person who contacted me asked that I not perform any chants that said specific names of God, even providing a list of chants to work from if I didn’t have enough of my own that fit the description. I can’t definitively say for sure why they made this request. What I intuited from the website that I was pointed to was that this was done in the name of preventing anyone from feeling excluded or offended by the practice; as if to exclude all of God’s names, one could avoid interfering with or offending another person’s beliefs. In the end, I thanked them for offering and for the consideration, and offered to collaborate should they ever have an event where the kirtan I do would be appropriate.

Normally this sort of thing wouldn’t weigh on my thoughts long enough to compose a blog entry- though I might tweet about it . I had a similar experience today, however, that compounds the confounded feeling that the first email exchange made me feel. As I’ve mentioned, I am in the process of attempting to put together a south east kirtan tour for this year, in December. Unfortunately, the response has been a bit dry compared to the ease with which I made contact in the north east for the tour we did in June.

I contacted a studio that came recommended by a friend in the area, and the person responded happily that they would be glad to host a kirtan on the night I was looking for (great!), but not if I would be including deities like Shiva and Durga (huh?) in the chants that I performed. Sita-Rama and Radhe-Krishna were ok (incidentally, so were Jah, Jehova, Buddha, Allah, and others) but as “demi-gods” the rest were not appropriate. Don’t ask me why Jah is “ok” for kirtan but Shiva isn’t… I’m just not sure. As before, I responded politely, thanking them for writing back (it’s more than I can say for 90% of the places I’ve written to), and expressing that my kirtan was probably not the best “fit” for their studio.

I’m not sure if this is a reflection of the tense political climate that is currently gripping the US. It’s an election year, and because of the terrorist attacks in 2001, the wars overseas, and the media making dubious claims about the religious practices of our Commander in Chief, I think everyone is feeling a little bit sensitive. With an issue so personal as religion and spirituality, I think it’s easier than ever to accidentally step on the toes of our fellows, or for there to be perceived toe-stepping.

I sing kirtan because I was drawn to the practice. The first time I experienced kirtan, it shifted something in my view, both musical and otherwise. I had never experienced music in the way that I experienced it that night, and all I wanted to do was sing more and more. I know the basics about the practice, and about the pronunciation of the words. I do not claim to be a scholar of the hindu religion, or the sanskrit language. I am not a practicing hindu, but always do my best to be respectful to the traditions that laid the foundation for this bhakti practice.

I’ve never felt that my kirtan has been exclusionary. In the past, when I’ve done live kirtan with the basement bhaktis, we’ve included sufi chants, and even a few southern-style christian gospel tunes. Yes, when I sing kirtan it is primarily for Shiva, Krishna, Rama, Durga… but not because I feel these aspects of the divine are “better” than others. Actually, I don’t even consider them to be “different” from others. As I am apt to say in person, “I’m cool with all kinds of God.” My Guru, Sri Swami Satchidananda used the much more eloquent phrase, “Truth is One, Paths are Many.”

I (personally) think it’s very important that we all find an aspect of the divine, a higher power, who we feel some kind of connection with. For some, that’s Allah. Others say Jesus. Some say Nature. When I sing about Shiva, it’s because Shiva is an aspect of the divine that I resonate with, not because I think Shiva is “the best,” or because I think you should believe in Shiva instead of something that you’re more comfortable with.

As I have often said at live kirtans, the most important thing is that you feel good about what you’re doing. If you’re a sculptor but not a painter, you may be able to express your love for God, your fellow man, your country, your planet, and so forth by painting, but chances are you’re going to do your best work by sculpting. That doesn’t make you a bad person, it makes you a sculptor. Because I resonate with Rama, I sing about Rama, but when someone uses another form of divinity to express their own feelings of devotion, I am still deeply moved and appreciate the experience. In fact, the person who motivated me to start singing devotional music with others wasn’t a kirtan singer at all, but the sufi singer Pir Shabda Kahn.

The best advice I could ever relay, as it was given to me is, “Always do what you love, and let that be your offering.” Love. Isn’t that what “bhakti” is all about? The names don’t matter. The details are all interchangeable. You don’t have to be a singer, a painter, a dancer, or any of that.

Love what you do, in every action, and surely only good will come to you for it.

OM,
Jayadeva

Hi Everyone!

I’m very excited to announce that I’ll be taking part in the Interfaith Cooperation Circle of Central Virginia’s World Peace Day celebration. This event will be at Unity Church in Charlottesville, Virginia. For more information, and a list of other performers, check out this link: http://interfaithcooperation.org/events/

What an incredible way to kick off the tour! Because of my deep connection to Yogaville in Virginia, playing at the Institute in NYC has been a dream of mine since I started singing Kirtan. Setting up this particular night was the catalyst for booking this tour.

We had a very easy drive into NYC, and found the institute without any trouble at all.

The folks we met were all helpful and kind, and the presence of Gurudev could be felt strongly throughout the rooms and halls of the building. It wasn’t until after we set up all of our gear and did a level check in the Heaven room, where we would be playing, that they told us that room was Gurudev’s apartment in NYC! What a blessing!

This stop was the first one on the tour where I got to meet up face to face with a friend from the ilovefuzz.com forum, a place where you can find me pretty much every day discussing the joys of guitar pedal related joys.

Meet Steev!

Steev was kind enough to film a bit of the beginning of the set with Marshall’s camera: